Online Music Classes in Kannada

Kannada Popular Film

KS Chithra | Faculty Head
Preparatory

For those who don’t have the natural ability to sing notes correctly, a teacher has to introduce the very idea of note identity, location, reproduction and sequencing to a learner and enable the student to sing even a simple song in shruthi with awareness and precision. In the Preparatory process, the teacher will inculcate basic swara and tala skills in the student through exercises and simple songs.
Voice Training:
The curriculum is delivered in combination with Scientific Voice Development. Teachers are trained in the concepts and principles of Frederick Husler, adapted to the needs of Indian Music by Ananth Vaidyanathan. The human voice is naturally a singing voice, irrespective of musical talent. Musical tone and skills are innate potentials of the human voice. The voice is developed by activating it’s potential nature through simple songs and allowing it grow easily and naturally along a path of increasing musical complexities.

Each session of the Intermediate Film Music Course is designed in two parts – Carnatic music and Film Music. Students will learn in-depth Carnatic Music from Sarali Varisai to Adi Tala Varnams and simple Kritis. Film music training will be delivered in the styles and singing techniques of simple fast songs, peppy Western songs, folk songs, basic classical film songs, and melodies – through a combination of song training, voice training and performance training. Performance is the sole purpose of singing and the trigger of vocal potential. Performance culture is inculcated into the student from the very first lesson.
Voice Training:
The curriculum is delivered in combination with Scientific Voice Development. Teachers are trained in the concepts and principles of Frederick Husler, adapted to the needs of Indian Music by Ananth Vaidyanathan. The human voice is naturally a singing voice, irrespective of musical talent. Musical tone and skills are innate potentials of the human voice. The voice is developed by activating it’s potential nature through simple songs and allowing it grow easily and naturally along a path of increasing musical complexities.

The Advanced Film Music Course is an intensive 48 session program that will enable a learner to achieve the skills of a competent, full-fledged film music playback singer or stage singer. Firstly, Carnatic Music training extends into Ata Thala Varnams, advanced Kritis of the Trinity and other composers and most importantly, manodharma – improvisation – alapanai, niraval and Kalpana swaram. This training in Carnatic music amalgamates with intensive training in the styles and techniques of complex Film music, Popular Music and Fusion. The range of styles include complex ghazal based melodies, Bhavageete, complex classical film compositions, challenging songs etc. The training is delivered through a combination of song training, voice training and performance training.
Voice Training:
The curriculum is delivered in combination with Scientific Voice Development. Teachers are trained in the concepts and principles of Frederick Husler, adapted to the needs of Indian Music by Ananth Vaidyanathan. The human voice is naturally a singing voice, irrespective of musical talent. Musical tone and skills are innate potentials of the human voice. The voice is developed by activating it’s potential nature through simple songs and allowing it grow easily and naturally along a path of increasing musical complexities.

Candidate should have an interest in film music
Candidates who have issues with pitching and rhythm

Basic command over Shruthi and Thaalam.
Natural ability to hold a tune.
Ability to pick up a simple song from recorded music without major errors in tune or rhythm.
General interest in film music.

The candidate should have either :
Completed the Intermediate Kannada Film Music course, or
Have the knowledge and skills of an Intermediate Kannada Film Music Course graduate.

session 1-12
  • Aligning voice with swaras
  • Learning basic swaras, swara patterns and exercises
  • Simple talas
  • Simple songs to enable application and practice of fundamental music sense

session 1
  • Swara location
  • Swara recognition
  • Gamaka activation
  • Tala sense
  • knowledge Voice moulding
session 2
  • Swara location
  • Swara recognition
  • Gamaka activation
  • Tala sense
  • knowledge Voice moulding
session 3
  • Swara location
  • Swara recognition
  • Gamaka activation
  • Tala sense
  • knowledge Voice moulding
session 4
  • Activation of swara pattern making ability
session 5
  • Activation of swara pattern making ability
session 6
  • Activation of swara pattern making ability
session 7
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
session 8
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
session 9
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
session 10
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
  • Development of higher range in voice
session 11
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
  • Development of higher range in voice
session 12
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
  • Development of higher range in voice
session 13
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
  • Development of higher range in voice
session 14
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
  • Development of higher range in voice
session 15
  • Inculcation of the compositional experience and sense of Carnatic music. It is advisable to develop the song sense along with swara and tala skills.
  • Development of higher range in voice
session 16
  • Tala repertoire, knowledge and skill
  • Rhythmic skill and command
session 17
  • Tala repertoire, knowledge and skill
  • Rhythmic skill and command
session 18
  • Tala repertoire, knowledge and skill
  • Rhythmic skill and command
session 19
  • Tala repertoire, knowledge and skill
  • Rhythmic skill and command
session 20
  • Tala repertoire, knowledge and skill
  • Rhythmic skill and command
session 21
  • Musical and vocal familiarity with, and reasonable expertise in the chief concert style of composition and it's features.
session 22
  • Musical and vocal familiarity with, and reasonable expertise in the chief concert style of composition and it's features.
session 23
  • Musical and vocal familiarity with, and reasonable expertise in the chief concert style of composition and it's features.
session 24
  • Musical and vocal familiarity with, and reasonable expertise in the chief concert style of composition and it's features.

session 1
  • Swara dexterity Swara intimacy and command Ability to recognize and create complex swara patterns Development of vocal mechanics and dexterity
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 2
  • Swara dexterity Swara intimacy and command Ability to recognize and create complex swara patterns Development of vocal mechanics and dexterity
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 3
  • Swara dexterity Swara intimacy and command Ability to recognize and create complex swara patterns Development of vocal mechanics and dexterity
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 4
  • Swara dexterity Swara intimacy and command Ability to recognize and create complex swara patterns Development of vocal mechanics and dexterity
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 5
  • Swara dexterity Swara intimacy and command Ability to recognize and create complex swara patterns Development of vocal mechanics and dexterity
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 6
  • Swara dexterity Swara intimacy and command Ability to recognize and create complex swara patterns Development of vocal mechanics and dexterity
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 7
  • Activation of deeper gamakas in the voice Vocal dexterity in brigas and sangatis
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 8
  • Activation of deeper gamakas in the voice Vocal dexterity in brigas and sangatis
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 9
  • Activation of deeper gamakas in the voice Vocal dexterity in brigas and sangatis
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 10
  • Activation of deeper gamakas in the voice Vocal dexterity in brigas and sangatis
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 11
  • Activation of deeper gamakas in the voice Vocal dexterity in brigas and sangatis
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 12
  • Activation of deeper gamakas in the voice Vocal dexterity in brigas and sangatis
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 13
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 14
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 15
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 16
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 17
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 18
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
session 19
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 20
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 21
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 22
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 23
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 24
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 25
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 26
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 27
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 28
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 29
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 30
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 31
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 32
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 33
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 34
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 35
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 36
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 37
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 38
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 39
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 40
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 41
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 42
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 43
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 44
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 45
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 46
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 47
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.
session 48
  • Development of vocal dexterity in vowels Complex swara and rhythmic patterns
  • Repertoire required to give a professional Carnatic concert Imbibing musical values of a variety of composers Raga and Tala repertoire and command
  • Improvisation is the soul of Indian classical music. The student will develop into a Carnatic concert artist depending on his aptitude and sense of application.

    1