Hindustani / Ragas / Maru Bihag

Raag Maru Bihag

A raag of the Kalyan thaat, Maru Bihag comes into its own in the 2nd prahar of the night. It uses five swaras on the way up and all seven coming down. Phrases centre on Pancham - the vadi, or king swara - answered by Shadj as samvadi.

Swars: Rishabh and Dhaivat Varjya in Aaroh. Madhyam Teevra (with rare use of Madhyam Shuddha). Rest all Shuddha Swaras.

Raga Maru Bihag

2nd Prahar of the Night (9PM to 12AM)
Kalyan thaatAudhav - SampurnaVadi: PanchamSamvadi: Shadj
SGPN
NDPGGRS

Pakad: M̄ G · M̄ G R S · S ʼN S · m G P · M̄ G M̄ G R S

Sargam is written with Sa on C: komal swars are lowercase, teevra Ma is M̄, ʼ before a swar marks the lower (mandra) octave and Ṡ / ʼ after marks the upper (taar) octave. The synth plays plain notes - the gamak, meend, and andolan that bring a raag to life are what you learn in class with an expert.

Film songs in Raag Maru Bihag

Hear the raag in songs you already know - the fastest way to internalise its mood. Tap a tile to play.

Ab Aage Teri Marzi (a.k.a. Dildar Ke Kadamon MeinRam Lakhan (1955)Lata Mangeshkar
Bada Dukh Dina Tere Lakhanne (a.k.a. O Ramji, Bada Dukh Dina)Ek Phool Chaar Kaante (1989)Lata Mangeshkar
Matawali Naar Thumak ThumakEk Raaz (1960)Mukesh
Payalwali Dekhna (a.k.a. Lachakat Chamakat)Mehbooba (1963)Kishore Kumar
Radha Jaye Na (a.k.a. Jamuna Kinare Aaja)Sehraa (1976)Lata Mangeshkar
Tum To Pyar Ho SajnaSehraa (1963)Lata Mangeshkar, Mohd. Rafi

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