Hindustani / Ragas / Nand

Raag Nand

A raag of the Kalyan thaat, Nand comes into its own in the 2nd prahar of the night. It uses six swaras on the way up and all seven coming down, taking a vakra (winding) path rather than a straight line. Phrases centre on Shadj - the vadi, or king swara - answered by Pancham as samvadi.

Swars: Rishabh Varjya in Aaroh, Both Madhyams. Rest all Shuddha Swaras.

Raga Nand

2nd Prahar of the Night (9PM to 12AM)
Kalyan thaatShadhav - Sampurna VakraVadi: ShadjSamvadi: Pancham
SGmDPRSGmPN
SDNPDPGGmDPRS

Pakad: S G m D P R S · G m P D N · P · P D m m P · G m D P R S

Sargam is written with Sa on C: komal swars are lowercase, teevra Ma is M̄, ʼ before a swar marks the lower (mandra) octave and Ṡ / ʼ after marks the upper (taar) octave. The synth plays plain notes - the gamak, meend, and andolan that bring a raag to life are what you learn in class with an expert.

Film songs in Raag Nand

Hear the raag in songs you already know - the fastest way to internalise its mood. Tap a tile to play.

Tu Jahan Jahan ChalegaMera Saaya (1966)Lata Mangeshkar
Suno Sajna Papihe NeMera Saaya (1966)
Lata Mangeshkar

More from Kalyan thaat

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