Raag Bageshree
Longing in the quiet of night - deeply lyrical. It uses six swaras on the way up and all seven coming down, taking a vakra (winding) path rather than a straight line. Phrases centre on Madhyam - the vadi, or king swara - answered by Shadj as samvadi.
Swars: Pancham Varjya in Aaroh. Gandhar and Nishad Komal. Rest All Shuddha Swaras.
Raga Bageshree
2nd Prahar of the Night (9PM to 12AM)Pakad: ʼn S m · S g m · g R S · ʼn ʼD · m D n D · m g R S
Sargam is written with Sa on C: komal swars are lowercase, teevra Ma is M̄, ʼ before a swar marks the lower (mandra) octave and Ṡ / ʼ after marks the upper (taar) octave. The synth plays plain notes - the gamak, meend, and andolan that bring a raag to life are what you learn in class with an expert.
Film songs in Raag Bageshree
Hear the raag in songs you already know - the fastest way to internalise its mood. Tap a tile to play.