Raag Bheempalasi
Yearning, tender. It uses five swaras on the way up and all seven coming down. Phrases centre on Madhyam - the vadi, or king swara - answered by Shadj as samvadi.
Swars: Rishabh and Dhaivat Varjya in Aaroh. Gandhar and Nishad Komal. Rest all Shuddha Swaras.
Raga Bheempalasi
3rd Prahar of the Day (12PM to 3PM)Pakad: ʼn S g m P · n D P · Ṡ · n D P · m g R S
Sargam is written with Sa on C: komal swars are lowercase, teevra Ma is M̄, ʼ before a swar marks the lower (mandra) octave and Ṡ / ʼ after marks the upper (taar) octave. The synth plays plain notes - the gamak, meend, and andolan that bring a raag to life are what you learn in class with an expert.
Film songs in Raag Bheempalasi
29 Hindi and regional film songs and a few non-film pieces composed on Raag Bheempalasi, with film, year, singer and music director. Hearing the raag in songs you already know is the fastest way to internalise its mood - tap a tile to play.